“Here is a single place to celebrate all the wondrous and wonderful bigness of the tiniest of stories. Best Microfiction is amazing. A great accomplishment.”—Grant Faulkner, executive director of National Novel Writing Month
The following stories have been chosen by final judge Tania Hershman to appear in Best Microfiction 2022. Congratulations!
- Peter Anderson, “Wobble” (MoonPark Review)
- Isabelle B.L, “Cords” (FlashBack Fiction)
- Sudha Balagopal, “Bitter Hot Chocolate” (Monkeybicycle)
- Abbie Barker, “Alice, Some of the Time” (Atlas and Alice)
- Matt Barrett, “The Flood” (Pithead Chapel)
- Paul Beckman, “Writer's Jeopardy” (Bending Genres)
- Jack B. Bedell, “Swamp Thing Explains How Time Passes in the Middle of Dueling Crises” (Heavy Feather Review)
- Morgan Bennett, “Chicken Dinner” (beestung)
- Andrew Bertaina, “The Historian” (No Contact)
- Brett Biebel, “Lightweight” (Cease, Cows)
- Ben Black, “A Haunting” (Wigleaf)
- Kristin Bonilla, “Shy, Solitary Animals” (Cease, Cows)
- Melissa Llanes Brownlee, “She Has Lost Something Again” (The Birdseed)
- Exodus Oktavia Brownlow, “Chicken-Girls and Chicken-Ladies and All the Possibilities of Pillowcases” (Barren Magazine)
- Julie Cadman-Kim, “Iron Hans” (Fairy Tale Review)
- Tanya Castro, “It was 1687 when an apple fell in natural motion” (Lost Balloon)
- K-Ming Chang, “Kite-Fighting” (Hayden's Ferry Review)
- Janean Cherkun, “Same Old (notes to self)” (Flash Frontier)
- Michael Todd Cohen, “Throwing Stones” (Tiny Molecules)
- Tim Craig, “Going Down” (Ellipsis Zine)
- Jenzo DuQue, “history lesson” (Passages North)
- Kate Francia, “The Dragon and It” (Apex Magazine)
- Sarah Freligh, “Rise” (Trampset)
- Sarah Freligh, “Your Life as a Bottle” (Pithead Chapel)
- Jeff Friedman, “Giver of Gifts” (B O D Y)
- Frances Gapper, “For a Widow” (Twin Pies Literary)
- Scott Garson, “Canvas” (MoonPark Review)
- Lucy Goldring, “Calling at: Pharmacy, Florist, and Off-Licence only” (100 Word Story)
- Gabrielle Griffis, “Bowerbird” (matchbook)
- Nathalie Handal, “Unfading” (Aster(ix))
- L Mari Harris, “Let's” (matchbook)
- L Mari Harris, “Girl as Music Box Ballerina” (Milk Candy Review)
- Jude Higgins, “Codes to Live By” (New Flash Fiction Review)
- Tiffany Hsieh, “Pork Fluff” (The Waking)
- Ruth Joffre, “A Girl Makes Lemonade” (HAD)
- Ruth Joffre, “A Girl Wishes on a Star” (Wigleaf)
- Mary Jones, “Everything You Ever Gave Me” (Wigleaf)
- Lauren Kardos, “Rust Belt Triptych” (The Lumiere Review)
- Kristen Zory King, “Her Kingdom Come” (Citron Review)
- Andrea Lynn Koohi, “Jump” (Emerge Literary Journal)
- ML Krishnan, “Girls Who Sat at the Back of Buses” (Trampset)
- Kathryn Kulpa, “Mother-Daughter” (Monkeybicycle)
- Kinneson Lalor, “What Grief Is” (Reflex Fiction)
- Kat Lewis, “Hip Deep in the Chesapeake” (The Offing)
- Kat Lewis, “물귀신 | Mul Gwishin” (The Offing)
- Kristen Loesch, “Tapeworm” (FlashBack Fiction)
- Amy Lyons, “After the Thrill” (Flash Frog)
- Frankie McMillan, “Taking Turns” (Flash Boulevard)
- Frankie McMillan, “Romance in the lower and upper atmosphere” (Atticus Review)
- Cortney Phillips Meriwether, “Don't Get Lost in the Dinosaur Kingdom” (matchbook)
- Michelle Morouse, “Left to their own devices they became them” (Citron Review)
- Diane Payne, “Years” (Whale Road Review)
- Susan Perabo, “Contingencies” (CRAFT)
- Meghan Phillips, “In the Town Where All the Final Girls Live” (No Contact)
- Emma Phillips, “All the Things They Couldn't Hand Back” (Flash Fiction Magazine)
- Teresa Plana, “Tokyo Pearl” (Flash Frog)
- Angela Readman, “Other Shit Rumpelstiltskin Did” (The Phare)
- Kirsten Reneau, “"What I Think King Kong Is About (Having Never Seen King Kong)” (No Contact)
- Aleyna Rentz, “Excavating” (Monkeybicycle)
- Jessica June Rowe, “Underage.” (Atlas and Alice)
- Sarah Salway, “Allsorts” (Flash Frog)
- Robert Scotellaro, “Chickens in the Parlor” (South Florida Poetry Journal)
- Marvin Shackelford, “A Tragic Misstep in Evolution” (Atlas and Alice)
- Grace Q. Song, “Inheritance” (SmokeLong Quarterly)
- Star Su, “Freezing Point” (Citron Review)
- Joanna Theiss, “Ten Amazing Facts About the Human Body” (Bending Genres)
- Bob Thurber, “Before She Was My Mother” (The Woolf)
- Jennifer Todhunter, “Riding a Bike Without Training Wheels” (Ghost Parachute)
- Jennifer Todhunter, “Fridays” (perhappened)
- Leslie Walker Trahan, “The woman who cuts my hair says she's been hearing noises in her apartment” (Passages North)
- Leslie Walker Trahan, “Where There's Smoke” (Okay Donkey)
- Susan Triemert, “Sea Monsters” (Splonk)
- Cathy Ulrich, “I Do Not Want to Live Without You” (Flash Frog)
- Olivia Wolford, “Star Swallowed” (The Ekphrastic Review)
- Yunya Yang, “You Will Never Need to Walk Again” (Janus Literary)
- Sagan Yee, “The Taste of Our Pages” (Apex Magazine)
- Becca Yenser, “None of Us” (Heavy Feather Review)
- Lacey Yong, “Salvage” (perhappened)
- Tara Isabel Zambrano, “Calla Lilies” (Salt Hill)
- Corey Zeller, “How Skinny Can I Get” (The Offing)